OUT OF SIGHT
RANDOM FUSIONS, MOMENTARY ILLUSIONS
OUT OF SIGHT
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Adrian Villar Rojas - La inocencia de los animales
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Fujiko Nakaya
Fujiko Nakaya
Fujiko Nakaya
Fujiko Nakaya
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roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
roomonfiredesign:

In his ‘Monuments’ series French photographer Mathieu Bernard-Redmond uses existing economical data charts to render artificial “architectural accidents”. “I have been working on this project since 2005. I use financial charts and statistics as basic shapes to produce photographic representations of global economic and ecological concerns. The charts have been modeled using 3D software and are then integrated into my landscape photographs. By turning these curves and sculptural shapes into massive constructions—close to memorials, monumental structures—I intend to reach something beyond data. My purpose is to underline their fundamental link to landscape and thus, to human and natural history,” says Bernard-Reymond.
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scandinaviancollectors:

A view from architect Philip Johnson’s office in the Seagram Building, designed by Ludwig Mies van der Rohe and Johnson in 1957. Photograph by Julius Shulman. 
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subtilitas:

Giuseppe Terragni - House for an artist, Milan 1933. Via.
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GIOBERTO NORO
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fractalized:

Photo by Anna FilipovaThe distant Arctic archipelago of Svalbard is home to the most northerly mines in the world. The first settlers on the island, which belongs to Norway, were Soviet coal miners in the 1920s. [read more]
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sirilaf:

"JINEN Butoh" performance by Atsushi Takenouchi
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fuckyeahbrutalism:

Cities in the Air (Project)
(Arata Isozaki, 1960)